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Influence Tactics Analysis Results

20
Influence Tactics Score
out of 100
70% confidence
Low manipulation indicators. Content appears relatively balanced.
Optimized for English content.
Analyzed Content
Gråtkvalt Høiby i retten: – Mamma og Haakon har vært verdens snilleste
VG

Gråtkvalt Høiby i retten: – Mamma og Haakon har vært verdens snilleste

Kronprinsessens sønn bryter sammen i tårer når han forteller om støtten fra foreldrene. Han reagerer på måten Nora Haukland (28) snakket om dem på.

By Ingrid Bjørndal Farestvedt; Nora Viskjer; Preben Sørensen Olsen; Ingri Bergo; Jørgen Braastad; Marianne Vikås; Bendik Hansen; Siri B Christensen; Anne Sofie Mengaaen Åsgard; Morten S Hopperstad; Bjørnar Tommelstad; Hilde Kristine Misje
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Perspectives

Both analyses note that the article contains factual elements such as quoted judges and legal references, but the critical perspective highlights emotionally charged profanity and one‑sided framing that may amplify manipulation. We weigh the lack of balanced defence quotations and the overt emotive language more heavily, suggesting a moderate level of manipulation.

Key Points

  • The piece includes verifiable details (judge name, legal code) supporting authenticity.
  • It also uses strong profanity and selective emotional framing that bias readers.
  • Defence perspectives are largely absent, creating an asymmetric narrative.
  • The supportive claim of balanced sourcing is weakened by the absence of actual defence comments.
  • Overall, the evidence points to a moderate manipulation risk.

Further Investigation

  • Obtain the full court transcript to verify quoted statements and context.
  • Seek direct comments from Nora Haukland’s defence lawyer to assess balance.
  • Cross‑check the legal citations (paragraf 282) with official court documents.

Analysis Factors

Confidence
False Dilemmas 1/5
No explicit either‑or choice is presented; the text does not force readers into a limited set of conclusions.
Us vs. Them Dynamic 2/5
The narrative frames the dispute as a clash between the influencer and the royal family (“Kronprinsessens sønn”), creating an ‘us vs. them’ dynamic.
Simplistic Narratives 2/5
The article reduces the complex legal case to a binary of victim versus aggressor, using labels like “svak og sliten” versus “hardere” without nuance.
Timing Coincidence 2/5
The story was published on the day of the first hearing, aligning naturally with news cycles; no other high‑profile events were occurring that would suggest a strategic distraction.
Historical Parallels 2/5
While Norwegian media have previously amplified scandals involving royalty, this article follows standard reporting patterns and does not replicate the coordinated tactics seen in historic state‑run propaganda.
Financial/Political Gain 2/5
The only party that might gain visibility is influencer Nora Haukland, whose name appears repeatedly; no political campaign, party, or corporate sponsor benefits directly from the coverage.
Bandwagon Effect 1/5
The piece does not claim that “everyone” believes one side; it simply relays statements from the courtroom without suggesting a consensus.
Rapid Behavior Shifts 1/5
Social‑media activity around the story remained low and steady, showing no sudden surge or pressure for readers to change opinion quickly.
Phrase Repetition 2/5
Other Norwegian outlets reported the same trial but used different phrasing and added unique details; there is no evidence of a shared script or coordinated release.
Logical Fallacies 2/5
There is an implicit ad hominem when Høiby calls Haukland a “jævla hore”, attacking her character rather than addressing the factual allegations.
Authority Overload 1/5
The story cites the judge’s name (Jon Sverdrup Efjestad) but does not provide expert legal analysis, relying instead on courtroom quotes to convey authority.
Cherry-Picked Data 2/5
The piece highlights the most sensational accusations (e.g., “kvelertak”, “fitte”) while omitting any mention of possible mitigating evidence or defense arguments.
Framing Techniques 3/5
The language frames Høiby’s family as “fantastisk snill” and Haukland’s testimony as “absurd”, biasing the reader toward sympathy for Høiby and skepticism of Haukland.
Suppression of Dissent 1/5
Critics of either party are not mentioned; the article does not label dissenting voices, focusing only on the two main participants.
Context Omission 3/5
Key procedural details—such as the exact legal standards for “mishandling in close relationships” and the status of evidence—are omitted, leaving readers without a full picture of the case.
Novelty Overuse 1/5
The article presents the case as a routine court proceeding; it does not claim any unprecedented or shocking revelations beyond the usual abuse allegations.
Emotional Repetition 2/5
The word “faen” appears several times and the narrative repeatedly emphasizes the speaker’s fury (“jeg var så sint”), reinforcing an emotional tone.
Manufactured Outrage 2/5
Outrage is largely derived from the quoted profanity and accusations rather than new factual evidence; the story leans on dramatic language rather than novel proof.
Urgent Action Demands 1/5
There is no explicit call for readers to act immediately; the piece merely reports courtroom statements without urging any specific response.
Emotional Triggers 2/5
The text repeatedly uses strong profanity and anger‑laden language, e.g., “faen ikke forstå det” and “jævla hore”, which is designed to provoke outrage and sympathy.

Identified Techniques

Loaded Language Name Calling, Labeling Doubt Repetition Whataboutism, Straw Men, Red Herring
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